The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Additionally, Festival attendees can gather in virtual waiting rooms, participate in live Q&As, and congregate in new, inspired online environments to interact in a range of ways both new and familiar.
The Institute shared details of how the Festival will meet audiences on the online platform and Satellite Screens earlier this month.
“This Festival is a singular response to a singular year — both in design and curation — and we are excited about the new dimensions of possibility it will reveal. But at its core is something that speaks to our most enduring values,” said Tabitha Jackson, Director of the Sundance Film Festival. “For thousands of years humans have gathered to tell stories and make meaning. In this pandemic year, we gather to celebrate a constellation of artists with unique perspectives that express this current moment and who together are saying, ‘We exist. This is who we are. And this is what we see.’”
Fifty short films from 27 countries have been chosen out of 9.933 submissions, including 10 films in the Animation track. Overall, 48% (24) of the shorts announced today chose to indicate they were directed by one or more women; 2% (1) were directed by one or more nonbinary individuals; 64% (32) were directed by one or more artists of color; 20% (10) by one or more people who identify as LGBTQ+.
“In a year unlike any other, short films are still going strong with art and craft unique to the form. We are thrilled to share a lineup with a wild range of characters, styles, ideas and emotions to our audience, wherever you may be,” said Mike Plante, Senior Programmer, Short Film.
Festival-goers can also discover the next wave of animated storytelling in the New Frontier section for emerging media works, including Fortune!, a series of documentary shorts exploring society’s relationship with money; the just-announced Namoo, from Baobab Studios and Erick Oh; and “virtual erotic poem” Nightsss from Polish artists Weronika Lewandowska and Sandra Frydrysiak.
The 2021 Sundance Film Festival Animation program includes:
The Fire Next Time / United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.
Forever / U.S.A. (Director and Screenwriter: Mitch McGlocklin) — A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.
The Fourfold / Canada (Director and Screenwriter: Alisi Telengut) — An exploration of the indigenous worldview and wisdom based on ancient shamanistic traditions and animistic beliefs in Siberia and Mongolia. With hand-crafted animation, a testament of reclaiming animism for environmental ethics and non-human materialities.
Ghost Dogs / U.S.A. (Director: Joe Cappa, Screenwriters: Joe Cappa, J.W. Hallford) — A family’s new rescue pup is terrorized by deceased pets in this mind-bending horror.
GNT / Australia (Directors and Screenwriters: Sara Hirner, Rosemary Vasquez-Brown) — Glenn is a woman on an unwholesome mission, but just how far will she go to conquer the clique – and social media at large?
KKUM / South Korea, U.S.A. (Director and Screenwriter: Kang-min Kim) — My mother’s dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Little Miss Fate / Switzerland (Director and Screenwriter: Joder von Rotz) — When the opportunity arises, Little Miss Fate slips into the role of the world leader. Unintentionally she creates a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control.
Misery Loves Company / U.S.A., South Korea (Director: Sasha Lee, Screenwriters: Sasha Lee, Yejin Choi) — As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful “flower people,” dancing and wishing for a meteorite to end the world.
Souvenir Souvenir / France (Director and Screenwriter: Bastien Dubois) — For 10 years, I’ve pretended to make a movie out of my grandfather’s Algerian war souvenirs. Today, I’m not sure I want to hear what he has to say.
Trepanation / U.S.A. (Director: Nick Flaherty) — What was once familiar is now unrecognizable. All previous desires are overshadowed by the need to disappear completely.
Additional screenings, premieres and special programs will be announced in January as the Festival approaches. More information at festival.sundance.org.
