Tag: Maya
Director Uri Lotan Takes Us on a Ride Down His ‘Black Slide’
***This article originally appeared in the November '22 issue of Animation Magazine (No. 324)***
A young boy learns to face life’s darkest moments in Uri...
A Rewarding Journey: ‘Picchu’ Illuminates the Beauty and Resilience of Ecuador
***This article originally appeared in the August '22 issue of Animation Magazine (No. 322) ***
Produced end-to-end by a geographically distributed creative team using...
Brent Forrest Introduces His ‘Samurai Frog Golf’ at SIGGRAPH
Among the many animated projects debuting a SIGGRAPH this week is Samurai Frog Golf (or SFG), a charming short created by director Brent Forrest...
Breakdown: Digital Domain Helps Create a Marvelous Reinvention of ‘Ms. Marvel’
For Marvel Studios’ latest episodic series, Ms. Marvel, the production faced an interesting, and somewhat rare challenge, revealed today in a new breakdown video from Digtal Domain, which...
SIGGRAPH: Spotlight on the 2022 Prize Winners
***This article originally appeared in the August '22 issue of Animation Magazine (No. 322) ***
Best in Show: The Seine's Tears
Director: Yanis Belaid
Pôle 3D, France
Paris...
Seneca College Finds a New Formula for Success with Its ANI 2.0 Program
This autumn, 115 new students will arrive on campus at Seneca College’s School of Creative Arts & Animation in Toronto, Ontario — just in...
Exclusive: The Creature Wranglers of ‘Gremlins: Secrets of the Mogwai’ Give Us a Sneak Peek
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June/July '22, No. 321)***
It’s been 38 years since director Joe Dante introduced us to...
Exclusive: ‘Jurassic World Dominon’ VFX Supe David Vickery Unleashes the Dinosaurs Again
***This article originally appeared in the 35th Anniversary issue of Animation Magazine (June-July '22, No. 321)***
Twenty-eight years after the release of Steven Spielberg’s ground-breaking movie Jurassic...
Exclusive: How Chris Williams’ ‘The Sea Beast’ Took to the High Seas
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
Big Hero 6 director Chris Williams is no stranger...
Exclusive: Amanda Forbis & Wendy Tilby Discuss Their Stunning New Short ‘The Flying Sailor’
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
Animation lovers around the world do a little happy dance...
Exclusive: Annecy’s Eclectic VR Program Delivers the World of Tomorrow, Today
***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)***
The Annecy International Animation Film Festival has long strived...
Cannes: ‘Mia and Me: The Hero of Centopia’ Sparks a New Adventure for a Familiar Heroine
***This interview originally appeared in the May '22 issue of Animation Magazine (No. 320)***
For the past three decades, Thorsten Wegener has been producing high-profile...
Pixomondo Crafts Cinematic Worlds for ‘Star Trek’ & ‘Halo’ with KitBash3D
Pixomondo’s skilled team of artists across global facilities have crafted cinematic worlds for the most beloved and coveted IP. From Star Trek’s final frontier,...
Cooking Up a Second Serving of ‘Green Eggs and Ham’ with Exec Producer Helen Kalafatic
This week, home audiences can savor a fresh season of animated adventure inspired by the beloved stories of Dr. Seuss, as Green Eggs and...
Autodesk Rolls Out Next-Gen Updates to 3D Tools
Autodesk has unveiled a series of feature-loaded updates to its portfolio of 3D tools for artists working in the film, television, games and design...
‘Green’: Behind the Lush Photoreal Artistry of VES Student Award Winner
This year's winner of the Visual Effects Society (VES) Student Award, presented once again by Autodesk during the 20th annual VES Awards, uses richly...
How Digital Domain Built a Digital, Destructible Slice of NYC for ‘Spider-Man: No Way Home’
In Sony Pictures and Marvel Studios’ Spider-Man: No Way Home, nearly 20 years and three separate Spider-Man franchises converge into one of the most...
Twin Pines Recreates a Spectacular Naval Battle for ‘La Fortuna’
Twin Pines, the Madrid-based digital post-production company, looked after the visual effects for La Fortuna, the new Movistar+ series directed by Alejandro Amenábar. This...
Tech Reviews: Adobe Substance 3D Painter & Premiere, Isotropix Clarisse iFX 5
Adobe Substance 3D Painter
The latest edition of Adobe Substance 3D Painter has some pretty exciting new tools. Earlier in the year, there was a...
Gary Mundell Named COO of Award-Winning Tippett Studio
Tippett Studio, founded by two-time Academy Award-winning artist, animator and filmmaker Phil Tippett (whose VFX work can be seen in legendary films such as...
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