Tag: MPC
Crafting ‘Dumbo’s High-Flying Effects
***This article originally appeared in the April ‘19 issue of Animation Magazine (No. 289)***
Many credit Tim Burton’s live-action version of Disney’s Alice in Wonderland...
Disney’s Live-Action ‘Dumbo’ Flies with Thursday Night Auds
This Friday marks the release of Tim Burton’s live-action version of Disney’s much-loved 1941 animated classic Dumbo. The film did very well in Thursday...
Suzanne Jandu Joins Framestore London as Head of 2D
Artist Suzanne Jandu has joined Framestore’s London location as Head of 2D, where she will lead teams across the Advertising, Television and Immersive divisions....
UK Animation & VFX Industries Report Major Gains
The British Film Institute has released new research demonstrating the positive impact of tax relief schemes on production for screens of all sizes --...
SIGGRAPH Sessions Include ‘Wreck-It Ralph 2,’ ‘Missing Link, ‘Incredibles 2’
SIGGRAPH’s 2018 conference on all things CG and interactive is right around the corner, with new announcements for its Production Sessions program. Covering a...
VFX Vets Christian Irles, Joern Grosshans Join Image Engine
Oscar-nominated visual effects studio Image Engine has added visual effects supervisors Christian Irles and Joern Grosshans to its Vancouver headquarters roster. The new appointments...
RSP Student Short ‘Lucy and DiC’ Wins South Aus Screen Award
A live-action short film co-starring a sass-mouthed CG robot which has become quite the online sensation has now added a South Australian Screen Award...
Ironing Out the VFX of ‘A Wrinkle in Time’
Madeleine L'Engle’s beloved 1962 classic A Wrinkle in Time tells the story of Meg Murry travelling through space and time to save her father...
Dave White Joins Ntropic as Pan-Studio CG Head
Visual effects and creative studio Ntropic has appointed Dave White as Head of CG in its New York, Los Angeles and San Francisco offices....
FMX: Indie Animation, Blockbuster VFX Join Lineup
Organizers of the FMX 2018 conference on animation, effects, games and immersive media have added even more informative, inspiring sessions to this year’s schedule...
Spain’s Animayo Declared an Oscar Qualifying Festival
The new year is off to a strong start for Animayo, with the news that the Gran Canaria event is the first dedicated animation...
Mike Wynd Named VFX Supervisor for ArsenalCreative
ArsenalCreative of Santa Monica, CA, has grown its visual effects team with the addition of award-winning VFX Supervisor Mike Wynd. He joins the content...
Oscars: The VFX Bake-Off Offerings
Last month, the Academy of Motion Picture Arts and Sciences selected 10 titles to move forward in the visual effects category for the 90th...
It’s a ‘Jedi’ vs. ‘Jumanji’ Christmas Weekend!
Audiences are expected to flock to movie theaters this holiday weekend to catch up on the latest family movies served up by the studios....
Blade Runner 2049: Return to the Planet of the Replicants
Oscar-winning vfx supervisor John Nelson discusses the complex task of creating a new futuristic world for Blade Runner 2049.
Fans of Ridley Scott’s classic movie...
MPC Leads the Digital Human Race with ‘Blade Runner 2049’ Breakthrough
Replicating Rachael for Blade Runner 2049 was both a huge honor for MPC as well as an exciting technical and creative challenge. The team...
Mikros and MPC Join Advertising Forces in Paris
Commercial VFX companies MPC and Mikros will be integrating their Paris operations, uniting their internationally respected brands into a one-stop creative and production services...
2017 AEAF Awards Winners Announced in Sydney
The 2017 Animation Effects Awards Festival (AEAF) was held August 16 in Sydney, Australia, with a full day of top visual effects and animation...
The Secrets of ‘Wonder Woman’
MPC pulls out all the stops to create iconic battles in places real and fictional for the breakout comic-book movie hit Wonder Woman.
An iconic...
Ego and Groot
The living planet and the baby version of everyone’s favorite tree alien demonstrate the care and attention put into Marvel Studios’ Guardians of the...
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