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Cinema 4D Announces VR Plug-in Ahead of GDC

Software developer Maxon will be showcasing game and virtual reality solutions with Cinema 4D at the 2016 Game Developers Conference, taking place March 16-18...

Bakshi Talks ‘Last Days of Coney Island’

This story originally appeared in the December 2015 issue of Animation Magazine. Ralph Bakshi has long been one of the true rebels of animation, having...

Around the World with an Animation Career

Sometimes the life of an animator isn't that different than that of a musician. I've spent a lot of my 30-year career moving around...

Key Creatives Talk Iron Maiden’s ‘Speed of Light’

Following its recent release, Iron Maiden's animated music video for “Speed of Light,” the heavy metal band’s first single in five years, has become...

Q&A: Archer’s Matt Thompson

Archer is back, and nobody’s happier to see him than the hit animated FX series’ executive producer, Matt Thompson. When last we saw spy Sterling...

Bazillion Pictures Restructures

Bazillion Pictures, under the guidance of owner and creative director Jeff Beith, has restructured its award-winning 3D animation and visual effects studio as part...

Viva Taps Essence of Vegas for Large-Scale Spots

Viva Design has completed two original animation sequences for the High Roller observation reel in Las Vegas at Caesars Entertainment Corp.'s Linq Entertainment and...

Review: Photoshop 3D Printing Tools

With the latest release of Photoshop CC (and frankly, now with the subscription model and frequent updates, I don't know how I'm going to...

‘Writer’s Block’ Arrives on Vimeo

After a year on the festival circuit, Tom Gran and Martin Woolley's (a.k.a. Spinkick Bros) animated short Writer's Block has launched online. Set in...

FX Sweetens the Toon Deal

This month, the cable network debuts Chozen, an intriguing new animated series about a white gay rapper—and showcases a diabolically different new season of...

Animation Block Presents Late Night Work Club + Friends

I grew up in a land far away without Google. It was called the 1980s and animation was different then. Drawn on paper, painted...

MAD’s Kevin Shinick Talks About the 100th Episode

It's hard to believe that Cartoon Network's popular MAD series will hit the big 100th episode mark this week. The Emmy and Annie Award-nominated...

ILM’s John Knoll to Keynote View Conference

Industrial Light & Magic's chief creative officer John Knoll will deliver the keynote at the VIEW vfx and computer graphics conference in Turin, Italy...

Adobe’s Creative Cloud Update Now Available

Adobe announced that a major update to Adobe Creative, the company’s flagship offering for creatives, is now available. Unveiled at Adobe MAX, The Creativity...

John Knoll Upped to ILM’s Chief Creative Officer

Oscar-winning vfx veteran John Knoll has been promoted to Chief Creative Officer at Industrial Light & Magic. Knoll, who joined ILM In 1986, has...

Boinx Unveils New Features of iStopMotion 3.1

German software producer Boinx has unveiled some special upgrades the 3.1 version of its popular iStopMotion tool. The new release now includes a Screen...

Nathan Love Animates National Geo Promo

Nathan Love director Jim McKenzie has delivered an evocative, nostalgic promo for National Geographic Channel’s The 80s: The Decade That Made Us miniseries. A...

Shotgun Introduces New Unified Toolset and Prices

Shotgun Software is offering a new new integrated package and price point for its popular production management system. The tool now encompasses production tracking,...

Peter Hannan Has an ‘Embarrassing’ New Toon

It’s always cause for celebration when one of our favorite animation creators has a new show out. This week, CatDog creator Peter Hannan launched...

Rhythm & Hues Adopts MARI as Primary Paint Tool

VFX and animation studio Rhythm & Hues has adopted The Foundry’s MARI software as its primary paint tool. Using MARI will give the studio’s...
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